Both traditions share a distinctively devotional quality as they were believed to have been passed down from the Devas and Devis, Hindu gods and goddesses. But unlike much of western music, which was changing rapidly in nature and expanding in function, Indian Classical Music tradition-as captured in the Hindustani, or Northern Indian, and Carnatic, or Southern Indian, music-have both retained a direct connection to the music and traditions first laid down during the Vedic period.
From that moment on, Western music could no longer claim to represent a pure and just representation of the musical world as ideas and styles both from within and outside of Western society would continue to intersect and give rise to whole new modes of composition.Īs few cultures remained isolated during the waning of the colonial period, it’s important to remember that the transfer of ideas and instruments wasn’t one-sided. And yet, the infestation of ideas that breached the bubble of Western music had already taken root. While musical instruments and ideas had made their way to Europe from the colonies, this was an instance of presenting the exotic, the other within a contained Western convention. When looking at the Western Classical music canon from this standpoint of musical hybridization and intersection, things start to get interesting at the 1889 Paris Universal Exposition where young composer Claude Debussy first encountered the Javanese gamelan and the players required to operate the musical machine and the centuries-old programs/compositions that they brought to life, infusing a degree of improvisation as they sped up and slowed down as a group, like a living, breathing organism. Jazz gave way to jazz fusion, disco gave way to house and techno, which has seemingly opened the doors to anyone with a bedroom and computer to cultivate an army of fans. And while each genre and style has its formal qualities-a waltz is traditionally written in ¾ time and punk songs famously feature a mere three chords-new songs and styles can arise, constantly mutating to reflect the changing social-political context. In the western musical tradition, we’re used to talking about music in terms of genres or cultural traditions, be it Baroque classical or country music and the blues often a genre, like punk, can denote a whole philosophy and style in addition to referring to a genre of music.
What is the meaning of daruvu in carnatic music theory how to#
It takes some training to understand time, key, and pitch how to recognize the slight changes in playing that can signify a shift to a whole other genre. Instrumental musical traditions are tricky propositions.
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